The Wasp Factory – Iain Banks

Book #254

Reviewer: Inspirationalreads


wasp

Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I’d disposed of Blyth, and then a year later I did for my young cousin Esmeralda, more or less on a whim.That’s my score to date. Three. I haven’t killed anybody for years, and don’t intend to ever again.It was just a stage I was going through.

Let me introduce Frank Cauldhame; sixteen years old and living a reclusive lifestyle in rural Scotland with his father.The typical adolescent though, Frank is not.  If it is not obvious from the above quote, Frank is a sociopath; although he has limited his murder of humans to three, he continues to torture and murder animals, using them in rituals to help predict the course of events in his life.  Told from Frank’s perspective, the story opens with news that Frank’s older brother Eric has escaped from a psychiatric holding facility.  Oh yes blog follower, not one but two mentally deranged individuals in one family.   With Eric arrival imminent, Frank’s story unfolds switching between current events and Frank’s memories including the abandonment of his mother, a savage attack on him by the family dog which maimed and physically altered Frank, and the three horrific acts of detached, calculated murder.

Which leads me to that regular old disclaimer from me; if you are at all easily offended or squeamish and wish not to purposefully introduce dark, disturbing reading material into your life, then avoid this novel. I like to think I am providing at least some small kind of service to those who wish to avoid such books.  Don’t all rush to thank me.

This is a masterful novel, the first outing for Banks.  This is the first of SIX of his books on the list and is a quick read, but by no means easy.  The prose is straight forward but the subject matter is hard hitting.  Frank’s internal monologue is far from a rambling mass of delusional diatribes.  He is clear, methodical and applies his own brand of morality on everything he does.  There is a genuine quality in Frank, a madness that is not in any part an affectation and it is this, the characterisation of someone abhorrent and yet deserving of our sympathies and in some way, affection, that Banks genius is clearly evident.  For example, when Eric and Frank get a chance to talk Frank becomes horrified that Eric could possibly have a dog with him, setting dogs alight being one of the key indicators of Eric’s deepening instability.  Yet, earlier that same day, Frank kills one rabbit with his bare hands and then blows up a warren, delighting in his victory.  Frank is self-aware, he knows just what kind of monster he is and is often repentant, but is unwilling or unable to change.

The story itself moves along at a great pace, never feeling sluggish.  This is aided by its short length, but also in the way that the past and the present being are revealed at the same time.  All leading to Eric arriving back at the family home, bringing revelations that changes Frank’s world and the readers perspective of it.

I feel like I am doing a disservice to those who will avoid this book because of some content.  It really is a great story, with one of the most interesting characters I have read in a long time.  The elements of ick can be viewed as sensationalist or can be viewed as necessary to Frank, his inner dialogue, his idea of himself and therefore necessary to the story.  I would like to therefore take back my advice and just add a little cautionary message because this book is worth reading and I feel like it is a great introduction to a wonderful author.  Highly recommended.

Quote of the Week

And perhaps this is why we love reading so much?

“That’s why I write, because life never works except in retrospect. You can’t control life, at least you can control your version.”
Chuck Palahniuk, Stranger Than Fiction

Heart of Darkness – Joseph Conrad

Book #780

REVIEWER: Tall, Short & Tiny

Heart of DarknessI’d like to start this review by being totally honest…I didn’t like Heart of Darkness one little bit. I didn’t hate it, but I certainly groaned inwardly each time I picked it up, and very nearly didn’t finish it. However, having glowingly reviewed a number of books on the list, it felt only proper to be able to balance all those fantastic reads with one that, in my humble opinion, was not an enjoyable read (plus it’s short, and I was sure I could get through it!).

Nothing about this novella grabbed me. I didn’t enjoy the way the story was narrated, or the language that was used to do so. I found myself scoffing quietly, wondering if the person orating the story would really have used words such as “declivity” and “recrudescence”?

I did like a couple of Conrad’s descriptive sentences, and on the whole, I quite liked the majority of his descriptive passages, but that wasn’t enough.

“…on some quiet night the tremor of far-off drums, sinking, swelling, a tremor vast, faint; a sound weird, appealing, suggestive, and wild.”

“…this papier-mâché Mephistopheles…”

The subject matter is dark and gruesome, and I’m sure it would have been shocking at the time of publication, but I found it rather offensive and brutal. The story touches on cannibalism, colonialism and deception, none of which make for cheerful reading. There’s also the very Victorian ideals of men as heroes and women as love interests and belongings.

The language used to describe the “savages” made me uncomfortable, even though I tried very hard to put myself in the late-1800s frame of mind; it was interesting also to think that this novella remains controversial due to the subject of savagery, but perhaps for different (contradictory?) reasons.

“…these creatures rose to…hands and knees, and went off on all fours…”

“Why in the name of all the gnawing devils of hunger they didn’t go for us – they were thirty to five – and have a good tuck in for once, amazes me now when I think of it.”

“I looked at them with a swift quickening of interest – not because it occurred to me I might be eaten by them before very long…I perceived how unwholesome the pilgrims looked, and I hoped, yes, I positively hoped, that my aspect was not so…unappetising: a fantastic touch of vanity…”

The basic premise behind Heart of Darkness is that the human soul and mind has the capacity for extreme darkness, that every human being has two sides to their heart, and that in the right (or wrong, whichever way you’d like to look at it) situation, people act in unusual ways. However, I think that Conrad was trying to say that there is also inherent goodness in everyone too. Whether he extended that to his “savages” or not remains to be seen!

For me, this was a disappointing read and a bit of a drag, so unfortunately, I’m giving it just 2/5 stars.

Farewell, My Lovely – Raymond Chandler

Book #586

Reviewer: Beth’s List Love (first published January 2013)

FMLovely

It was a warm day, almost the end of March, and I stood outside the barbershop looking up at the jutting neon sign of a second floor dine and dice emporium called Florian’s. A man was looking up at the sign too. He was looking up at the dusty windows with a sort of ecstatic fixity of expression, like a hunky immigrant catching his first sight of the Statue of Liberty. He was a big man but not more than six feet five inches tall and not wider than a beer truck. He was about ten feet away from me. His arms hung loose at his sides and a forgotten cigar smoked behind his enormous fingers.

…The doors swung back outwards and almost settled to a stop. Before they had entirely stopped moving they opened again, violently, outwards. Something sailed across the sidewalk and landed in the gutter between two parked cars. It landed on its hands and knees and made a high keening noise like a cornered rat. It got up slowly, retrieved a hat and stepped back onto the sidewalk. It was a thin, narrow-shouldered brown youth in a lilac colored suit and a carnation. It had slick black hair. It kept its mouth open and whined for a moment. People stared at it vaguely. Then it settled its hat jauntily, sidled over to the wall and walked silently splay-footed off along the block.

Silence. Traffic resumed. I walked along to the double doors and stood in front of them. They were motionless now. It wasn’t any of my business. So I pushed them open and looked in.

With writing like this, how can you not enjoy a nice noir mystery? Farewell, My Lovely is a brilliant effort from Raymond Chandler, and definitely deserves its place on the 1001 Books list. Marlowe is smart but not smart enough not to get hurt, or end up with a bout of the DTs, but you want him to succeed in his quest to figure out what is going on in the situation he links himself to inextricably by pushing these doors open to look in. He makes wry and witty observations about life, pisses off most of the people he meets, and knows a decent person when I encounters one.

I have always enjoyed Robert B. Parker‘s Spenser, and he is clearly modeled on Marlowe. It is no surprise that Parker at one point finished an unfinished Chandler novel. He was the right man to do it, but nothing equals the original. Chandler’s voice and eye for detail are flawless. He has a marvelous sense of pacing and creates delicious characters to play out his drama. He even quotes a little Shakespeare when you least expect it. I feel crazy giving this 5 stars when I’ve given so many other excellent books just 4, but this is the best of a genre, so it gets all 5.