There is no friend as loyal as a book.
– Ernest Hemingway
The War of the Worlds – H.G. Wells
Book # 790
Reviewer: Sweetp

When I was growing up I used to love listening to Jeff Wayne’s musical version of the War of the Worlds. In my mind, I can instantly recall the sound of Richard Burton’s deep voice narrating – “No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own.” Some twenty years later, I watched the story immortalised on the big screen by Tom Cruise and Spielberg, but it was only recently that I actually read the novel.
H.G. Wells published this book in 1898, long before moon landings, satellites, and humans living aboard space stations. His alien invaders, complete with destruction rays and gruesome feeding machines, would be just as horrifying if this story was set a hundred years later, and in that aspect this novel has lost none of its appeal, or impact. As a window into the beginnings of the science-fiction genre there is possibly nothing better.
Where this novel really shines though, is in the exploration of human nature – how different people cope in the face of disaster, and the lengths they will go to, to survive. The idea of the hunter becoming the hunted will appeal to all those who enjoy post-apocalyptic reads or themes of oppression, colonization and war. The story is narrated by a man who is witnessing the invasion first hand – his intelligent but often panicked version of events, gives an authentic, urgent immediacy to the novel as the horrifying events unfold.
At times the language feels a little stilted in a quaint Victorian way, but the book is also very short, and nothing is dragged out longer than it needs to be. Even being intimately familiar with the plot, I still found this to be an enjoyable and quick read.
I rated this 4/5 stars, a classic that should be on everyone’s “I’ve read this” list.
Middlesex – Jeffrey Eugenides
Book # 33
Reviewer: Sweetp
I first heard about this book around the time it won a Pulitizer in 2003, and remember thinking I would like to read it. Skip forward some years and I stumbled across a copy at the library with some excitement. Now I should explain that “somehow’ I was under the misguided assumption that this was some sort of sci-fi or futuristic novel where there is no longer male and female gender. I have absolutely no idea where I got this idea from, since the book is definitely not of that nature; though from reading other reviews of this novel, it appears others have assumed it was about seafaring or shipping (the cover picture) so at least I am not alone in my confusion.
From pretty much the first page I realized that this novel wasn’t going to be anything along the lines I had assumed but soon found myself swept away on the story of Desdemona and Lefty. Having already established there was an incestuous relationship, I was intrigued to know how this would be handled and I quite enjoyed the exploration of the struggles of the couple having escaped death in Greece and their hopes in starting a new life in America. It was about halfway that I began to get a bit twitchy. This is supposed to be a novel about Cal – the grandchild of Desdemona and Lefty – a hermaphrodite who is raised as a girl but later lives his life as a man. Cal is there in the background for the first half/two-thirds of the book as an ominpresent narrator who, I have to say, can be a little intrusive. I can forgive the “risky” narration (where Cal tells of events he wasn’t alive to see ) but found some of the third person/first person shifts a little choppy. FINALLY towards the end of the novel we see the events that lead to the discovery of Cal’s condition – the exploration of the teenage years was really well done – very real in the insecurities and fears of that age about growing up, sexuality, finding oneself. This is about when I began to really enjoy the book and finished it quickly after getting to this point.
In essence this is an epic novel.It spans almost a century and covers events in Greece and Turkey, the struggles of immigrant families in the US, the depression, the history of Detroit, black activism, the Vietnam War etc etc but what I guess my main gripe with the book is that while Desdemona’s life is catalogued pretty much from childhood through to old age, Cal’s life from 17 to 41 is entirely missing ! I want to know why he never sought out the Object again, how he came to terms with his new body, and of course WHY HE CHOSE TO LIVE AS A MAN. I really feel like this was a weak point of this book- up to the point where there is medical intervention Calliope is a girl, exploring her feelings for other girls, but with a body that is slowly altering to that of a male. Then she writes a note to her parents saying she wants to be a boy and runs away! I would have liked to have seen some more emotional connect – some sort of revelation for Cal that would explain everything he had been feeling confused about and the ‘answer’ presenting itself (not an epiphany per se but more than just a decision seemingly out of the blue). I also thought the ending was weak and wish there was more about Cal and Julie and how a couple might overcome the issues and have a functioning relationship.
I really struggled with some of the book and at times it felt a bit like a literary slog, however it has given me plenty to think about and though I wavered between 3 and 4 stars, I think there were moments of brilliance in the writing and some brave choices in subject and writing style so 4 stars it is.
Quote of the Week
Easy reading is damn hard writing.
– Nathaniel Hawthorne

