Oranges Are Not The Only Fruit – Jeanette Winterson

Book #237

Reviewer: Ms Oh Waily

Oranges are not the Only Fruit is the 1985 winner of the Whitbread Award for First Novel.

The novel follows the early life and coming of age of Jeanette, a young girl adopted into a working class evangelical family.  It is set in the bleakness of a mill town in the north of England in the 1960s.

Jeanette is brought up to preach and convert the Heathen.  Her mother intends her to be a missionary for their church, in the mould of her spiritual guide and missionary idol, Pastor Spratt.   All is going along as per the plan, even with detours to “the breeding ground”, also known as school, because her mother might go to jail otherwise.  Jeanette is a natural orator and is excellent at converting folk to the church, until one day she falls in love.

And her first love affair challenges her faith, her church and ultimately her relationships with everyone.

Rather like my experience of reading The White Tiger, I was in two minds as I read through this short novel.  One part of me loved the writing style and the humour of the storytelling, while the other part of me flinched repeatedly at the story being told and the behaviour of the characters, especially Jeanette’s mother.

To give you an example of the writing style and her mother we can start right at the beginning, on the first page of the novel.

My father liked to watch the wrestling, my mother liked to wrestle; it didn’t matter what.  She was in the white corner and that was that.
She hung out the largest sheets on the windiest days.  She wanted the Mormons to knock on the door.  At election time in a Labour mill town she put a picture of the Conservative candidate in the window.
She had never heard of mixed feelings.  There were friends and there were enemies.

Enemies were:  The Devil (in his many forms)
Next Door
Sex (in its many forms)
Slugs

Friends were:    God
Our dog
Auntie Madge
The Novels of Charlotte Brontë
Slug pellets

And so we are introduced to Mother.  She does not really improve on reading, but she certainly is a character and a half.  Devout to the point of madness, eye-wateringly so from early on in the book.

In the end I really enjoyed reading this short novel and just like The White Tiger there is plenty to think about as you go. I found the style of writing extremely easy going, and I loved the dark humour.  Blacker than black humour.  Jeanette is not a gushy character; she comes across as disconnected and very dry and I can see how readers may find her to be oddly remote and unsympathetic.  I didn’t find that aspect particularly off-putting at all though.  The oddity of her upbringing alone would give ample opportunity for such distancing.

I would like to share some more excerpts so you can get a feeling for the writing style.
In a passage where Jeanette is relating how she learned to read by reading Deuteronomy, we get this little gem of humour.

Deuteronomy had its drawbacks; it’s full of Abominations and Unmentionables.  Whenever we read about a bastard, or someone with crushed testicles, my mother turned over the page and said, ‘Leave that to the Lord,’ but when she’d gone, I’d sneak a look.  I was glad I didn’t have testicles.  They sounded like intestines only on the outside, and the men in the Bible were always having them cut off and not being able to go to church.  Horrid.

Then a little later we come to a Christmas incident where the church is sharing space with the Salvation Army and caroling with them.  Unfortunately the ladies of the church and their tambourines have more enthusiasm than musical skill, leading to this passage.

This meant regular rehearsals with the Salvation Army, always a problem because our tambourine players invariably lost the beat.  This year, the General wondered if we’d like to stick to singing.
‘It sez make a joyful noise,’ May reminded him.
When the General ventured to suggest a less than literal interpretation of this psalm, there was uproar.  For a start it was heresy.  Then it was rude.  Then it meant dissension amongst our flock.  Some of us could see the sense of it, some of us were outraged.  We argued until the tea and biscuits came round, then the General made his own decision.  Anyone who wanted to play the tambourine might do so in their own church, not in his rehearsals, and not at the carol singing itself.

And I could go on picking out passages like this.  At once affectionate and human, yet also full of ridicule.
I now understand why Winterson has so many books in the list, and I will be picking up another as soon as it is available at the library.

Interestingly this is considered to be semi-autobiographical, and Winterson’s memoir Why Be Happy When You Could Be Normal? will be going on my reading list simply to see just how autobiographical Oranges Are Not The Only Fruit is and how she survived such an outlandish upbringing.

The Turn of the Screw – Henry James

Book # 789

Reviewer: Inspirationalreads

 I am going to start with a straight-out confession; I found the writing of this book difficult which directly affected my enjoyment of it.  Now, I’m not going to claim I am hugely familiar with 19th century style of  writing, but I love me some Austen and have recently read and enjoyed some Wells and Wilde.  I had heard that Henry James could be a bit more taxing and so I thought I would start with this, one of his shorter novels and one that appealed to the sinister, horror-fan that I am.

The book opens on a Christmas Eve night.  A group of friends are sitting around when one says that he has a manuscript of a now deceased former governess.  And so, from the perspective of our un-named governess, our story begins when she comes to care for two young orphans.  Hired by a remote Uncle whose main stipulation is that he wants no contact whatsoever in regards to the children’s care, our young storyteller meets the younger of the two first.  She is immediately caught up in the child’s beauty and is quick to grow genuine care and affection for young Flora.  Flora’s older brother Miles is away at school, but the first note of not all being right is struck when a letter arrives advising that Miles has been expelled from school.  Distraught at such news, when Miles does arrive home the governess is also charmed by his beauty, enough so to put the letter aside and dismiss it as an error or failing on the part of the school.  All seems to be going along perfectly when our storyteller begins to see a man and a woman in and around the house, both of whom are strangers to her.  She soon learns that she is seeing the ghostly appearances of her predecessor, Miss Jessel and her lover Peter Quint, ghostly because the are both now dead.  From here the situation only worsens for her as she begins to suspect that the children are aware of these visitor and are actively interacting with them.  It seems that the close relationship that Jessel and Quint had with Flora and Miles in life has continued after their death.

This story is genuinely creepy.  The children are unnerving with their angelic appearances being at odds with the knowledge and co-operation with our spectral duo.  And it is their barefaced lies in the face of interrogation, their sweet voices and their sly smiles that really ups the ominous tone.  The appearances of our not-so-dearly departed two also startle but all of this is undone by the very wordy and long-winded contemplation of our narrator.  This introspection and its intensity are there to make the reader begin to doubt that everything is right with our governess and her version of events, but it is just so wordy and long-winded (repetition and italics.)  I am a reader in this day and age and not that of when the book was written, so I can’t comment on the appropriateness of this.  All I can comment on is that it made a short novel seem really long and a chore to finish.

That being said, there were many passages that were beautiful in their description and effective in the imagery they evoked.  It is clear to see why James is heralded as a master.   The following is when the governess lets go of the reserve that is holding her back from directly addressing the matter with the children

“Where is Miles?”

There was something in the small valour of it that quite finished me.  These three words from her were in a flash like the glitter of a drawn blade, the jostle of the cup that my hand for weeks and weeks had held high and full to the brim.  And that now, even before speaking, I felt overflow in a deluge.

Just when my mind would start to wander, a phrase or paragraph like the above would pull me back in and make me appreciate why this book is on the list and just what it was contributing to my ongoing reading education.

At the end of the day, to admire the technical proficiency is good, but I want to enjoy what I read and to learn and grow from it but not feel like it is an assignment to endure.  It is a horror story and it achieved what a horror story should; it was creepy and eerie and frightening as well.  But I am pretty sure that boredom is not on the list of what a great book is supposed to do and yet boredom is the overriding memory I take away from it.  I give it a 2/5 rating.

Quote of the Week

“If you take a book with you on a journey,…an odd thing happens: The book begins collecting your memories. And forever after you have only to open that book to be back where you first read it. It will all come into your mind with the very first words: the sights you saw in that place, what it smelled like, the ice cream you ate while you were reading it…yes, books are like flypaper–memories cling to the printed page better than anything else.”
Cornelia Funke, Inkheart

The Gormenghast Trilogy: Titus Groan; Gormenghast; Titus Alone – Mervyn Peake

Book #537 & #561

REVIEWER: TALL, SHORT & TINY

Today you are getting a bonus – two books from the list, plus a spare, for the price of one.  Enjoy!

I had never heard of ‘Gormenghast’ before it featured on the BBC Big Read Top 200 list, and even then, I had no idea what the novel was about. When a fellow reviewer offered commiserations over the fact that I was going to attempt it, I was a bit wary, but nonetheless, I decided to give it a go. When my copy arrived from The Book Depository, and it turned out I’d ordered a trilogy, I realised I was going to either have triple the fun, or triple the misery.

Sitting somewhere on the fantasy spectrum (although unusually so, as these novels feature no magic, no fantastical creatures, just strange and wild humans), Mervyn Peake has created a world unlike any other inhabited by humans. It’s as though he’s combined an ancient world with a futuristic one; the man’s imagination was certainly a wild one, with more than a touch of madness thrown in for good measure.

‘Titus Groan’
Young Titus, the long-awaited seventy-seventh Earl of Groan, is born into a family controlled by a long tradition of rituals and customs. From the moment he arrives, every action is governed by a pre-determined set of rules; rules which Titus very quickly desires to flout. From the very start, it’s apparent that the characters – the inhabitants of Gormenghast Castle – are a quirky, crazy bunch. Sepulchrave, the seventy-sixth Earl, is obsessed with his library of books, and descends into madness following a fire which destroys every volume. His wife, Gertrude, is surrounded by swarms of white cats and birds, and appears to love them more than her own children. Titus’ sister, Fuschia, is a moody young girl who comes to love her brother as they bond over the madness of their family. Flay, attendant to Sepulchrave, is consumed by his love for the Groans and Gormenghast, and his fatal hatred of the fat cook, Swelter. Steerpike is the young kitchen apprentice with evil designs on the running of the castle; his mastery of Sepulchrave’s gullible twin sisters leads to their ultimate destruction.

‘Gormenghast’
The second book follows Titus as he grows from a boy of seven to a young man of seventeen. From an early age he dreads the pre-ordained ritual that governs every aspect of castle life. His desire for freedom is all-consuming, and he makes various attempts to escape the castle; however, he always returns to his sister, with whom he has developed a strong and loving bond. When Steerpike is eventually unmasked as traitor and murderer, a timely flooding of the castle leads to his death at the hands of Titus. The death of the novel’s main protagonist means Titus is free to reign over the castle, but his desire to leave is so strong that the end of the novel sees him determined to leave.

‘Titus Alone’
The final in the series, this novel was completed and edited after Peake’s death, but if you didn’t know this, you wouldn’t be any the wiser – the editor has captured Peake’s imaginative style (and therefore the main characters’ madness) perfectly. It follows Titus’ abdication from his family home and his role as Earl of Groan. He flees from Gormenghast and finds himself in a foreign land where no one has heard of Gormenghast, or can tell him how to get back there. Through meetings with another bunch of insane characters and unlikely situations, Titus begins to doubt his own history and questions his own sanity; his seeming descent into madness mirroring that of his own father. The overriding impression is that Gormenghast is lost in the past, among traditions and rituals the origins of which have been long-forgotten; the contrast with the advanced city in which he finds himself alludes to this.

Did I enjoy the trilogy? I’m not sure. I’m glad I persevered, and I didn’t hate them, but I certainly breathed a sigh of relief when I turned that very last page.

Am I quietly stoked that I made it through? Most definitely, especially as I finished the second two while nursing my newborn son. Perhaps slight sleep deprivation and the subsequent descent into madness myself served to enhance my appreciation of Peake’s works??

Would I recommend you read them? Um…it’s doubtful. Not because I have any strong dislike of them, but because I (a) don’t want you questioning my own sanity, and (b) am well aware that these novels are a bit like Marmite: you either love it, or you hate it. These are the kind of books you recommend to very close friends only, because you know they won’t hold it against you if they don’t like them.

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